Ernest Hemingway's Museum

Ernest Hemingway's house in Key West

 

It was on the advice of John Dos Passos, a fellow member of the “Lost Generation” of ex patriate artists and writers populating Paris during the 1920s, that Hemingway was first prompted to visit Key West. Hemingway did not go directly to South Florida from Paris, but rather arrived through Havana, Cuba—a city and country that would prove to be critically important in Hemingway’s later personal and professional life. Upon his arrival in Key West in April 1928, the first order of business was to locate the new Ford Roadster that Pauline Hemingway's wealthy Uncle Gus had so generously purchased for the newlywed couple. Because the car had been delayed in transit, the Ford dealership insisted that they take up residence in an apartment located above the showroom on Simonton Street. Ernest and Pauline accepted the offer, and he resumed work on a war story he had started on the ocean passage to Key West. Hemingway continued his Paris habits of writing during the early mornings, and taking time to explore his surroundings in the afternoons. The Hemingways spent three weeks waiting for their car, and it was during this very brief three-week interlude that Ernest—amazingly—finished the partially autobiographical novel about the First World War, "A Farewell To Arms." Soon after arrival, Hemingway made the acquaintance of Charles Thompson, who ran the local hardware store. Charles Thompson introduced Hemingway to the exciting world of big game sport fishing, and a long friendship was born. Charles and his wife Lorine entertained the Hemingways at their home on Fleming Street. Lorine Thompson proved to be as friendly and gracious as her husband Charles, and it was during those early days in Key West she and Pauline forged a friendship that would endure for the rest of their lives. Both Ernest and Pauline grew to love Key West and its inhabitants, and soon decided to look for a permanent residence. After two seasons in Key West, Pauline's Uncle Gus purchased the house on Whitehead Street for them in 1931. The Hemingway home was built in 1851 in the Spanish Colonial style, and was constructed of native rock hewn from the grounds. The home was in great disrepair when it the Hemingways took ownership, but both Ernest and Pauline could see beyond the rubble and ruin, and appreciated the grand architecture and stateliness of the home. The massive restoration and remodeling they undertook in the early 1930’s turned the home into the National Historical Landmark that thousands of tourists visit and enjoy today. A unique and extraordinary feature of the grounds is the pool, built in 1937-38, at the staggering cost of $20,000. It was the first in-ground pool in Key West, and the only pool within 100 miles. The exhorbitant construction costs once prompted Hemingway to take a penny from his pocket, press it into the wet cement of the surrounding patio, and announce jokingly, "Here, take the last penny I've got!" Tourists are invited to look for the penny, still embedded between flagstones at the north end of the pool. The Hemingways’ personal touches still abound throughout the house. Many of the unique furnishings are European antiques collected during their stay on the continent. The trophy mounts and skins were souvenirs of the Hemingways’ African safaris and numerous hunting expeditions in the American west. Ernest’s presence can still be felt in his studio where he produced some of his most well-known works. In addition, a very visible and living link to the past are the descendants of Hemingway's cats. The story goes that Hemingway made the acquaintance of a sea captain who owned an unusual six-toed tomcat, which captured Ernest’s fancy. Upon his departure from Key West, the captain presented the cat to Hemingway. Today many of the numerous cats that inhabit the grounds still possess the unusual six toes.

First Edition. Signed  and inscribed by Kurt Vonnegut.  (incribed "Happy rest of your lives!" 1993 ) Hard cover with dust jacket in a fine condition.      Fates Worse than Death, subtitled An Autobiographical Collage, is a 1990 collection of essays, speeches & other previously uncollected writings by author Kurt Vonnegut Jr.. In the introduction to the book, he acknowledges the book is similar to an earlier book, Palm Sunday. In it he discusses his attempted suicide.
This book includes a "humanist requiem" that Vonnegut wrote as a reaction to the Roman Catholic Requiem, which he'd heard in Andrew Lloyd Webber's setting & whose text he found offensive. His own text was then set as a "Cosmos Cantata" by the composer Seymour Barab, of whom he said, "Barab's music is full of magic. He proved to an atheist that God exists. What an honor to have worked with him." The ending of this text is: "Let not eternal light disturb our sleep, O Cosmos, for Thou art merciful. Deliver me, O Cosmos, from everlasting wakefulness. On that dread day when the heavens & earth shall quake, when we shall dissolve the world into glowing ashes in the name of gods unknowable, I am seized with trembling & I am afraid until that day of reckoning shall arrive. Hence I pray, Deliver me, O Cosmos, from everlasting wakefulness on that day of wrath, calamity & misery. Rest grant us, O Cosmos, & let not light perpetual disturb our sleep